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Quick Start Guide
The premiere platform for
Source-Destination 4-Point Editing
The first and only…
Cohler Classical is the first and only software in the world designed specifically for classical music recording and editing! With unrivaled source-destination editing (4, 3, and 2-point) and Crossfade Editor, customers are saying that this is the software they have wanted for years! Listen to audio/video samples produced using Cohler Classical, and watch the instructional videos below.
Industry leading…
Cohler Classical’s industry-leading functionality, speed, price, and immediate customer service/no bugs policy are being hailed by buyers worldwide including performing musicians, tonmeisters, independent studio engineers, record companies, and major studios from five continents in cities as far flung as San Francisco, New York, Boston, London, Berlin, Amsterdam, Moscow, Christchurch (New Zealand), North Sydney (Australia), Cisternino (Italy), Laguna de Duero (Spain), and Kuala Lumpur (Malaysia).
The fastest…
Pyramix, Pro Tools, Sequoia, SADiE, or soundBlade users searching for a MUCH faster, more responsive, more flexible, more precise, and MUCH less expensive system built on a supercharged 64-bit floating-point audio engine need search no further. Available for Windows, Mac OS X, or Unix, and designed for multitrack, multi-take, track-group, source-destination editing of classical music, drum sets, and other multi-microphone acoustical audio projects, Cohler Classical runs exclusively on REAPER.
One click…
In Cohler Classical, everything you need to do is just one click away!
- Highly efficient screen layout
- Unlimited track groups: 1 Destination & 9 Sources per tab
- Multitrack track & item-group editing
- Auto-soloing, collapsible track groups
- Click & drag crossfade editor
- 99 markers per track-group including IN/OUT
- Menus optimized for classical music editing
- 1-minute install & instant auto-updates
- Resolves many REAPER limitations & bugs
- Ripple audio, markers, and automation
- Super fast project setup & load
- CD Mastering including CD Text
- One-click, Red Book standard CUE/WAV/CDT/DDP export
- Sample-accurate, configurable timecode window
- Track-group consolidation
- Automation functions for detailed balancing
- Configurable take number window
- Auto track group record arming
- One-click track-group recording
- One-click live mix
- Templates for 1, 2, 4, 5, 6, 8, 14, 16, and 31-channel projects
- Simplified track hierarchy setup
- WAV file metadata record/edit
- Sample-accurate editing for videos
- Play-stop with fades
- Multitrack recording transfer mode
- 420+ new functions, 270+ shortcuts
- 45+ navigation shortcuts
- 15+ audition shortcuts
- 22-button main toolbar
- Automatic error protection
- Mac OS X, Windows, and Unix
- And MUCH MORE
“
I come to Cohler Classical after decades of recording, editing, and mastering classical music from chamber music to operas…I had been using Soundblade, Nuendo, and Reaper for many years, for recording, but only Soundblade (now at end of life) supported Source-Destination editing. I had been considering Pyramix for multitrack editing when Cohler Classical was first released. I began using CC a few months ago, and I am very happy I did. It is straightforward to learn and was created with classical music editing in mind. Its S-D editing model is more flexible than Sonic, and its many other capabilities make the recording-editing-mastering process very efficient, with lightning fast response even for very large track counts.
“
I never imagined I could or would be editing my debut concerto CD myself, but Cohler Classical made it possible. With no prior experience, I am amazed at how easy and stress-free the process is. For my prior commercial CDs, editing was a cumbersome process searching for and listening to takes, and going back and forth numerous times with the producer to make modifications. With Cohler Classical, all the takes are on one screen. Mr. Cohler had me up and running in one day, provides stellar customer service, and the software runs very fast even on my old 2008 Macbook. I would never consider expensive applications like Pyramix or Pro Tools when Cohler Classical does everything I need at a fraction of a cost. I highly recommend this product!
“
I’ve been waiting for this affordable source-destination software for years and I’m so happy to be using it now. It is extremely fast and super efficient. The setup is easy and you can start editing and or recording in no time...I had a few questions and every time customer service answered me within 24 hours max, something I have never experienced with any other software vendor. Cohler Classical is extremely powerful and flexible. For me the choice is a no-brainer!
Classical music balance engineer working mainly in broadcast.
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I’ve been recording and editing classical music since 1980...Cohler Classical has been a revelation...When one has hundreds of takes of detailed material, organizing it and being able to see and keep track of everything is paramount. In Cohler Classical, I can see all the pertinent takes in each portion of the edit schedule and easily compare and select them. The fade editing module is elegant and easy to master, and my fades sound very natural...it will be a great tool for recording and editing for many years to come.
Producer & Engineer
Former Director of Recordings at the San Francisco Conservatory of Music
Member, San Francisco Symphony Chorus
Website • Email • (415) 563-6164
San Francisco, California
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I’m very impressed with the ease-of-use and accuracy of Cohler Classical... It’s clear that a lot of care has been taken in designing an editing system for maximum speed...I have found Cohler Classical makes it possible to achieve excellent editing results very quickly, and it’s particularly great to be able to reach the developer with any questions or issues and get such quick responses. The customer service is practically instantaneous!
Harpsichordist, Conductor, Music Engraver, Audio Editor, and
Artistic Director of the acclaimed baroque ensemble the Sebastians.
Website •
Email •
Video
New York, New York
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I am thrilled with Cohler Classical. It is a fantastic solution that I have hoped for since I co-produced a CD using the very-expensive PC-only software Pyramix several years back. Cohler Classical is compact enough to fit on a MacBook Pro, with an elegantly laid out editing window, markers, an intuitive crossfade tool, all for a much more affordable price. All software vendors would do well to emulate Cohler’s level of outstanding customer service...This is great software, clearly designed by and for musicians.
Member, Lydian String Quartet
Brandeis University
Website •
Email •
CD Review
Waltham, Massachusetts
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Cohler Classical brings unrivaled Source-Destination editing to REAPER. With 9 source track groups and 1 destination per tab, each completely collapsible track group can contain any number of tracks. Each group is set up identically, and you can cut and paste audio from any source to the destination with automatic crossfades, in one click or keystroke. The track groups are color coded, and each has its own set of 99 same-color markers for ease of editing. Furthermore, each track group has its own IN and OUT markers for quickly choosing sections of audio. Because the groups are identical, you can simply drag and drop takes between tracks as you organize your edit, and because the mixer is identical between track groups, the takes sound the same no matter where you place them.
- 1 Destination track group per tab
- 9 color-coded source groups per tab
- 4-point, 3-point, and 2-point Editing
- IN & OUT markers in each group
- 99 markers per group
- Identical linked mixers in all groups
- Ripple audio, markers, AND automation
- 1-key Source-Destination editing
- 1-key track-group navigation
- 1-key track-group collapse
- 1-key auditioning commands
- 1-key automation for balancing
- And MUCH MORE!
The Cohler Classical Crossfade Editor is so much simpler, faster and more powerful than those in Pyramix, Pro Tools, Sequoia, SADiE, or soundBlade it’s hard to describe. But seeing is believing. All adjustments can be made using a click-and-drag interface! And for those old-fashioned folks who still like to type numbers and spin dials, you can do that as well. Here is just a partial list of the features:
- Drag fade length in, out or both
- Drag in & out fade positions together or independently
- Toggle all 7 fade shapes in, out or both
- Drag in & out fade shapes together or independently
- Drag crossover point to create infinite variety of fade curves
- 1-key enter / exit fade mode
- Enter / exit fade mode while playing audio
- Autosave on exit
- Drag audio to visually align waveforms
- 1-key audition around, to, and from fade
- 1-key playback normal, 1/2, 1/4 speed
- Add new edits while editing a crossfade
- 1-key next, previous, or any other fade while in fade edit mode
- ALL edits ripple audio, markers, and automation points
- Save fade presets
- Asymmetric fades of different shapes and lengths
- And MUCH MORE!
Marc-André Hamelin
Toccata on “L’homme armé”
Marc-André Hamelin, piano
Camille Saint-Saëns
Concerto No. 1 in A Minor, Op. 33
Sheku Kanneh-Mason, cello
London Philharmonia
“5 stars: energetic and finely crafted performances; Jonathan Cohler and [the Anima Musicae Chamber Orchestra] present excellent interpretations that should be the standard for Mozart”
“…an exceptionally transparent and vivid recording that “hears” everything…”
“The recording is supremely involving…”
“The recorded sound is excellent; impactful and sharply defined, but without a trace of artificial enhancement or spotlighting…”
“In the modern era the two best recordings… came from Stoltzman (RCA) and Harold Wright (DG). Cohler’s account shines just as brightly, and it has enough added verve and style for me to prefer it.”
—Fanfare
“5 stars: …large-scaled performances filled with musical passion… [Vitkauskaite] plays the solo part as boldly as Rudolf Serkin, and [Cohler] conducts with more dramatic force than George Szell…”
“…engineering that combines inner detail with overall impact. The full dynamic range of the piano is vividly conveyed, as is the dynamic range of Mozart’s score…”
“… the orchestral sound in these performances is extremely vivid. The strings are marvelously rich at the opening of the Mozart, yet the horn cuts through with absolute clarity. The recording also conveys the orchestra with a keen spatial sense: I heard the interplay between winds and strings in both concertos as precisely located, though my listening system is nothing fancy.”
“…warm recorded sounds…”
—Fanfare
Felix Mendelssohn
Song without Words, Op. 67, No. 2
Joseph Gotoff, cello
Sangyoung Kim, piano
Behind the Scenes at the Philharmonia Sessions
London Philharmonia Orchestra
Cohler Classical cameo @ 2:05 seconds!
Myles Eastwood, Audio Producer & Engineer
Eastwood Records