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The premier platform for
Source-Destination 4-Point Editing
The premiere platform for source-destination editing has arrived (4, 3, and 2-point of course)! See below for what customers are saying. Discerning buyers worldwide spanning the gamut from performing musicians, to independent studio engineers, record companies, and major studios that hail from five continents in cities as far flung as San Francisco, New York, Boston, London, Berlin, Amsterdam, Christchurch (New Zealand), North Sydney (Australia), Cisternino (Italy), and Laguna de Duero (Spain) are taking advantage of Cohler Classical’s unparalleled immediate customer service/no bugs policy and industry-leading functionality, speed, and price!
Available for Windows, Mac OS X, Unix, and designed from the ground up for multitrack, multi-take, track-group, source-destination editing of classical music, drum sets, and other multi-microphone acoustical audio projects, Cohler Classical is the answer for new and seasoned editors alike. Pyramix, Pro Tools, Sequoia, SADiE, or soundBlade users searching for a faster, more responsive, more flexible, more precise, and much less expensive system, including an all-new, lightning-fast, click & drag Crossfade Editor, and a supercharged 64-bit floating-point audio engine underneath the hood, need search no further. Cohler Classical will blow you away!
In Cohler Classical, everything you need to do is just one-click away! Check out a few of the features here and see detailed videos below.
Available for Windows, Mac OS X, Unix, and designed from the ground up for multitrack, multi-take, track-group, source-destination editing of classical music, drum sets, and other multi-microphone acoustical audio projects, Cohler Classical is the answer for new and seasoned editors alike. Pyramix, Pro Tools, Sequoia, SADiE, or soundBlade users searching for a faster, more responsive, more flexible, more precise, and much less expensive system, including an all-new, lightning-fast, click & drag Crossfade Editor, and a supercharged 64-bit floating-point audio engine underneath the hood, need search no further. Cohler Classical will blow you away!
In Cohler Classical, everything you need to do is just one-click away! Check out a few of the features here and see detailed videos below.
- Unlimited track groups: 1 Destination & 9 Sources per tab
- Multitrack track & item-group editing
- Auto-soloing, collapsible track groups
- Click & drag crossfade editor
- 99 markers per track-group including IN/OUT
- All-new menus
- 1-minute install & instant auto-updates
- Fixed many REAPER limitations
- Ripple audio, markers, and automation
- Super fast project setup & load
- CD Mastering including “PQ” code and
- Redbook-standard CUE/WAV/CDT export
- Track-group consolidation
- Automation functions for detailed balancing
- Auto track group record arming
- One-click track-group recording
- Templates for 1, 2, 4, 5, 6, 8, 14, 16, and 35-channel recording
- Resizable large take count window
- WAV file metadata record/edit
- Sample-accurate editing for videos
- Play-stop with fades
- Multitrack recording transfer mode
- 400+ new functions, 270+ shortcuts
- 40+ navigation shortcuts
- 15+ audition shortcuts
- Automatic error protection
- Mac OS X, Windows, and Unix
- And MUCH MORE
“
I come to Cohler Classical after decades of recording, editing, and mastering classical music from chamber music to operas…I had been using Soundblade, Nuendo, and Reaper for many years, for recording, but only Soundblade (now at end of life) supported Source-Destination editing. I had been considering Pyramix for multitrack editing when Cohler Classical was first released. I began using CC a few months ago, and I am very happy I did. It is straightforward to learn and was created with classical music editing in mind. Its S-D editing model is more flexible than Sonic, and its many other capabilities make the recording-editing-mastering process very efficient, with lightning fast response even for very large track counts.
“
I never imagined I could or would be editing my debut concerto CD myself, but Cohler Classical made it possible. With no prior experience, I am amazed at how easy and stress-free the process is. For my prior commercial CDs, editing was a cumbersome process searching for and listening to takes, and going back and forth numerous times with the producer to make modifications. With Cohler Classical, all the takes are on one screen. Mr. Cohler had me up and running in one day, provides stellar customer service, and the software runs very fast even on my old 2008 Macbook. I would never consider expensive applications like Pyramix or Pro Tools when Cohler Classical does everything I need at a fraction of a cost. I highly recommend this product!
“
I’ve been waiting for this affordable source-destination software for years and I’m so happy to be using it now. It is extremely fast and super efficient. The setup is easy and you can start editing and or recording in no time...I had a few questions and every time customer service answered me within 24 hours max, something I have never experienced with any other software vendor. Cohler Classical is extremely powerful and flexible. For me the choice is a no-brainer!
Classical music balance engineer working mainly in broadcast.
“
I’ve been recording and editing classical music since 1980...Cohler Classical has been a revelation...When one has hundreds of takes of detailed material, organizing it and being able to see and keep track of everything is paramount. In Cohler Classical, I can see all the pertinent takes in each portion of the edit schedule and easily compare and select them. The fade editing module is elegant and easy to master, and my fades sound very natural...it will be a great tool for recording and editing for many years to come.
Producer & Engineer
Former Director of Recordings at the San Francisco Conservatory of Music
Member, San Francisco Symphony Chorus
Website • Email • (415) 563-6164
San Francisco, California
“
I’m very impressed with the ease-of-use and accuracy of Cohler Classical... It’s clear that a lot of care has been taken in designing an editing system for maximum speed...I have found Cohler Classical makes it possible to achieve excellent editing results very quickly, and it’s particularly great to be able to reach the developer with any questions or issues and get such quick responses. The customer service is practically instantaneous!
Harpsichordist, Conductor, Music Engraver, Audio Editor, and
Artistic Director of the acclaimed baroque ensemble the Sebastians.
Website •
Email •
Video
New York, New York
“
I am thrilled with Cohler Classical. It is a fantastic solution that I have hoped for since I co-produced a CD using the very-expensive PC-only software Pyramix several years back. Cohler Classical is compact enough to fit on a MacBook Pro, with an elegantly laid out editing window, markers, an intuitive crossfade tool, all for a much more affordable price. All software vendors would do well to emulate Cohler’s level of outstanding customer service...This is great software, clearly designed by and for musicians.
Member, Lydian String Quartet
Brandeis University
Website •
Email •
CD Review
Waltham, Massachusetts
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Cohler Classical brings complete Source-Destination editing to REAPER. With 9 source track groups and 1 destination per tab, each completely collapsible track group can contain any number of tracks. Each group is set up identically, and you can cut and paste audio from any source to the destination with automatic crossfades, in one click or keystroke. The track groups are color coded, and each has its own set of 99 same-color markers for ease of editing. Furthermore, each track group has its own IN and OUT markers for quickly choosing sections of audio. Because the groups are identical, you can simply drag and drop takes between tracks as you organize your edit, and because the mixer is identical between track groups, the takes sound the same no matter where you place them.
- 1 Destination track group per tab
- 9 color-coded source groups per tab
- 4-point Editing! (Also 3- and 2-point!)
- IN / OUT markers in each group
- 99 markers per group
- Identical linked mixers in all groups
- Ripple audio, markers, AND automation
- 1-key Source-Destination editing
- 1-key track-group navigation
- 1-key track-group collapse
- 1-key auditioning commands
- 1-key automation for balancing
- And MUCH MORE!
The Cohler Classical Crossfade Editor enables you to do everything and more than what you find in Pyramix, Pro Tools, Sequoia, or SADiE, only faster and more easily! All adjustments can be made using a click-and-drag interface; and for those old-fashioned folks who still like to type numbers and spin dials, you can do that as well. Here is just a partial list of what can be accomplished with the super-efficient click-and-drag Crossfade Editor:
- Drag fade length in, out or both
- Toggle all 7 fade shapes in, out or both
- Lock or unlock fade with single click
- Independent in-out fade length / shape
- Drag crossover point to create infinite variety of fade curves
- 1-key enter / exit fade mode
- Enter / exit fade mode while playing audio
- Autosave on exit
- Drag audio to visually align waveforms
- 1-key audition around, to, and from fade
- 1-key playback normal, 1/2, 1/4 speed
- Add edits while in crossfade edit mode
- 1-key next, previous, or any other fade while in fade edit mode
- ALL edits ripple audio, markers, AND automation points!
- Save fade presets
- Quit and relaunch REAPER while in fade edit mode!
- And MUCH MORE!
